Integrated mechanics
of the combination
of the tone and the voiced consonant
in the musical fields of knowledge
Universal analysis
of the combination of the tone and the voiced consonant in the musical process
of knowing – 7.3.5.12.00
• in the acoustic space
• in the musical tone-space
• in the musical motif-space
• in the musical sequence-space
• in the musical harmony-space
SEMINAR
7.3.5.12.01
Integrated mechanics of the combination of the tone and the voiced consonant
at the transition from the force-field of the acoustic space
to the field of our neurophysiology
7.3.5.12.02
Integrated mechanics of the combination of the tone and the voiced consonant
at the transition from the field of our neurophysiology
to the force-field of our mind
7.3.5.12.03
Integrated mechanics of the combination of the tone and the voiced consonant
at the transition from the force-field of our mind to the field
of our inner voice
7.3.5.12.04
Integrated mechanics of the combination of the tone and the voiced consonant
at the transition from the field of our inner voice to the field
of knowledge of the musical tone-space
7.3.5.12.05
Integrated mechanics of the combination of the tone and the voiced consonant
at the transition from the field of knowledge of the musical
tone-space to the field of knowledge of our hearing
7.3.5.12.06
Integrated mechanics of the combination of the tone and the voiced consonant
at the transition from the field of knowledge of our hearing
to the field of knowledge of the musical motif-space
7.3.5.12.07
Integrated mechanics of the combination of the tone and the voiced consonant
at the transition from the field of knowledge of the musical
motif-space to the field of knowledge of our understanding
7.3.5.12.08
Integrated mechanics of the combination of the tone and the voiced consonant
at the transition from the field of knowledge of our understanding to the
field of knowledge of the musical sequence-space
7.3.5.12.09
Integrated mechanics of the combination of the tone and the voiced consonant
at the transition from the field of knowledge of the musical sequence-space
to the field of knowledge of our feeling
7.3.5.12.10
Integrated mechanics of the combination of the tone and the voiced consonant
at the transition from the field of knowledge of our feeling
to the field of knowledge of the musical harmony-space
7.3.5.12.11
Integrated mechanics of the combination of the tone and the voiced consonant
at the transition from the field of knowledge of the musical harmony-space
to the field of knowledge of our intellect
7.3.5.12.12
Integrated mechanics of the combination of the tone and the voiced consonant
at the transition from the field of knowledge of our intellect
to the field of knowledge of our self-awareness
Reference work:
Peter Huebner – Study of Music – Study of the inner Forces of Man
© AAR EDITION INTERNATIONAL 1986
